![]() Without even adjusting individual EQ’s, advanced humanization options, or adding in insert or bus fx, the sound is rich and deep, capturing all the intricacies of live strings. What sets LASS apart from the competition?įirst off, the sound is absolutely gorgeous. In the past few years though, we have had breakthroughs in this sector with highly-playable orchestral VST’s such as VSL, Symphobia, and now LASS. These sample libraries are collections of sampled that have been layered and programmed to be playable on a keyboard like any synth-based program. Sample-based VST’s can often become pricey, while still maintaining a steep learning curve to make the instruments sound real. So how do composers get around this?Įnter sample-based VSTi’s. While infinitely better to hire live orchestras or a live horn player and record them in a studio setting, it is usually not cost-effective for low- and even many mid-size productions. Realism is a priority for many home studio composers. ![]()
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